Page 41
Story: The Mirror
“After that business with the mirror,” Cleo put in, “it’s clear the four of us are in this together. So.”
“Fair enough.”
But as he drove into town, he shot Sonya a look as if to assure himself on one single fact. She was fine.
“And more news,” Sonya began. “Cleo finished the painting she’s trading to Owen. And it’s breathtaking.”
“Probably finished,” Cleo corrected. “But I’m happy to take thebreathtaking.”
“If you can stay tonight, we’ll go up so you can see it.”
“Sounds like a win all around for me.” He parked, sent her a smile. “I’ve got a maybe bag in the trunk.”
The same young hostess greeted them in the Lobster Cage, and cast her wistful eyes on Trey.
“She’s got it bad,” Cleo commented when the hostess had passed out menus and walked back to her station.
“She’s twenty,” Trey muttered.
“I had a serious crush on my art history professor. I was nineteen,” Cleo remembered. “And I’d have to guess he was more than twice that. I’d have been in serious trouble if he’d taken advantage.”
“Got over him, didn’t you?” Trey asked.
“Yes, but the memories are sweet.”
Sonya remembered their server with his orange-streaked dark hair in a topknot. An environmental engineering student who’d shifted from in-person college to remote when his father had fallen ill.
“Good evening, ladies, Trey. Can I start you off with some drinks while you wait for the rest of your party?”
“He should be right along. How about a bottle of sauvignon blanc?” That got the go-ahead. “Bring four glasses, Ian. If Owen wants something else, he’ll tell you when he gets here. Which is right now,” he added as Owen walked in.
While his hair looked windswept and fell wherever it chose, he’d obviously put on a fresh shirt, fresh jeans.
He dropped down in the booth beside Cleo. “Sorry,” he said. “Got busy.”
“We just got here. I ordered a bottle of sauvignon blanc.”
“Great. What are the rest of you drinking?”
“That busy?” Trey commented.
“And then some. Hey, Ian.”
“Hey, Owen. I’ll get your wine right out to you.”
“Good busy?” Cleo wondered as the server left the table.
“Busy’s usually good in business.”
“It sounds like things have been busy at the manor, too. You wanted to wait for Owen to tell us. Well, here’s Owen.”
“Tell us what?”
“Cleo found a portrait of Lisbeth in the studio closet.”
“No shit. Huh.” Owen sat back. “Who painted it?”
“Collin. Your uncle,” Cleo specified. “It’s absolutely beautiful.”
“Fair enough.”
But as he drove into town, he shot Sonya a look as if to assure himself on one single fact. She was fine.
“And more news,” Sonya began. “Cleo finished the painting she’s trading to Owen. And it’s breathtaking.”
“Probably finished,” Cleo corrected. “But I’m happy to take thebreathtaking.”
“If you can stay tonight, we’ll go up so you can see it.”
“Sounds like a win all around for me.” He parked, sent her a smile. “I’ve got a maybe bag in the trunk.”
The same young hostess greeted them in the Lobster Cage, and cast her wistful eyes on Trey.
“She’s got it bad,” Cleo commented when the hostess had passed out menus and walked back to her station.
“She’s twenty,” Trey muttered.
“I had a serious crush on my art history professor. I was nineteen,” Cleo remembered. “And I’d have to guess he was more than twice that. I’d have been in serious trouble if he’d taken advantage.”
“Got over him, didn’t you?” Trey asked.
“Yes, but the memories are sweet.”
Sonya remembered their server with his orange-streaked dark hair in a topknot. An environmental engineering student who’d shifted from in-person college to remote when his father had fallen ill.
“Good evening, ladies, Trey. Can I start you off with some drinks while you wait for the rest of your party?”
“He should be right along. How about a bottle of sauvignon blanc?” That got the go-ahead. “Bring four glasses, Ian. If Owen wants something else, he’ll tell you when he gets here. Which is right now,” he added as Owen walked in.
While his hair looked windswept and fell wherever it chose, he’d obviously put on a fresh shirt, fresh jeans.
He dropped down in the booth beside Cleo. “Sorry,” he said. “Got busy.”
“We just got here. I ordered a bottle of sauvignon blanc.”
“Great. What are the rest of you drinking?”
“That busy?” Trey commented.
“And then some. Hey, Ian.”
“Hey, Owen. I’ll get your wine right out to you.”
“Good busy?” Cleo wondered as the server left the table.
“Busy’s usually good in business.”
“It sounds like things have been busy at the manor, too. You wanted to wait for Owen to tell us. Well, here’s Owen.”
“Tell us what?”
“Cleo found a portrait of Lisbeth in the studio closet.”
“No shit. Huh.” Owen sat back. “Who painted it?”
“Collin. Your uncle,” Cleo specified. “It’s absolutely beautiful.”
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209
- Page 210
- Page 211
- Page 212
- Page 213
- Page 214
- Page 215
- Page 216
- Page 217
- Page 218
- Page 219
- Page 220
- Page 221
- Page 222
- Page 223
- Page 224
- Page 225
- Page 226
- Page 227
- Page 228
- Page 229
- Page 230
- Page 231
- Page 232
- Page 233