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“Something like that just happened to her, except she’d gathered up all the focused power the dancers were creating. That kind of drain might have killed her, Morrison. I have to get up there!” And there was no way to do it. The aisles were already full in the way theaters always managed the moment a performance ended, even when the audience was going nuts with applause. I was sure it violated some law of physics.

Morrison gave me one brief, searching look, then, as far as I could tell, employed some kind of secret law-enforcement signal code that I wasn’t yet privy to. Within seconds we were in the aisle, Morrison with his badge out as he politely but firmly created a path to the stage. Rubberneckers realizing something was wrong started to clog up the aisle, but somehow Morrison kept being right between me and them, full of professional apology as he got people out of my way. I wanted to kiss the man.

We reached the stage and he did a two-step that landed him behind me. I went to vault up, not sure my dress would survive it, and to my astonishment, Morrison caught my waist and simply dead-lifted me up.

I weighed in at about one sixty-five, which was by no means the featherweight division. I also had very long legs, made longer still by my goddamned high heels. I wouldn’t have thought anybody could lift me four feet straight into the air so smoothly I barely knew what was happening until my feet hit the stage. I stumbled out of pure amazement, and Morrison, who vaulted upafter me, offered a briefly steadying hand before we both ran for backstage.

The whole cast was gathered around the fallen woman. Their auras were painful with worry, shooting spikes that made my head hurt. Every one of them looked drained physically, emotionally and spiritually, which made sense. Not only had they danced their hearts out, but the power they’d been offering to their lead dancer had gotten sucked out in a way it was never meant to be taken. I was surprised they were still all on their feet, metaphorically speaking.

A few of them glanced up as Morrison and I came through the wings. They were obviously expecting someone. Paramedics, maybe. Morrison said, “Police,” at the same time I said, “I’m a healer.”

For maybe the first time in my life, nobody looked any more surprised at the one statement than the other. In fact, a couple of them just got out of my way, clearing a path to the dancer’s side. Morrison walked away as I knelt next to her, and I half heard him talking to stagehands, asking them to set up a barrier and refuse all nonofficial personnel access to the backstage area.

The dancer wasn’t breathing. I’d known that on some level, right from the moment she’d collapsed. There were signs of fresh bruising on her chest, like they’d failed at CPR. “What’s her name?”

Someone said, “Naomi Allison.”

I whispered, “C’mon, Naomi,” put my hand over her heart, and went searching for her soul.

Like the breathfrom her body, it was gone. Not almost-gone, not hanging on in hopes of rescue, but somewhere beyond the veil of death. There was no hint of life to her body, no aura clinging to her skin, no spark buried somewhere deep inside.If life essence was something that could be held in a pool, it was like someone had reached in and with one giant handful, emptied every drop. I had a whole shiny range of esoteric powers, but seeing ghosts didn’t rank among them. I was pretty certain if Billy were here, he’d already be talking to Naomi’s crossed-over self.

I’d never brought anyone back from the dead before. I’d managed to bring people back from mostly dead a couple of times, but not from genuinely, full-stop dead. I wasn’t actually sure it was possible.

From the outside—which was to say, from anyone who hadn’t been watching with my second Sight’s point of view—I thought her death must look like a heart attack. There was no other even vaguely feasible explanation for it. Of course, with my hand over her heart and my magic opened up, I could tell that there was no damage at all to her heart muscle. Nor were there any brain clots or embolisms or other physical symptoms that might explain a phenomenally fit woman in her early thirties suddenly dropping dead.

On the other hand, there was nothing physically wrong with her, except the part where she was dead. If I could manage to catch her soul before it slipped away entirely, maybe I could bind them back together. Unfortunately, since I couldn’t see or communicate with ghosts, that really only left me one place to go.

I called it the Dead Zone, and the first time I’d gone there chasing a wayward soul, I’d very nearly gotten myself and someone I loved killed. But I was a little better prepared these days. It didn’t take much to let myself slide free of my body, not with the amount of power I’d taken in from the dancers. Not so long ago, that would have bothered me. I liked being connected to the world. The idea that I could slip into a black empty place just a finger-length smaller than infinity would have scared thecrap out of me. Tonight, though, I was glad I didn’t have to push myself through rituals to make it work. If Naomi Allison had any chance for life, she needed me to be as quick as I possibly could be.

The Dead Zone really was impossibly, hideously large. I always felt like it presented itself that way semi-consciously, as if to make me aware of just how tiny I was. A speck of insignificance on an endless black plain: that was me in the Dead Zone.

I took a breath of cold still air and called, “Raven, guide me?” into the Dead Zone’s infinite curve.

For a few moments silence greeted me, and I wondered if I hadn’t left enough shiny food out for my spirit guide lately. He had a weakness for Pop-Tarts—a weakness I shared, in fact, although I liked the fakey white frosting and he liked the flimsy tinfoil wrappers. I’d gotten much, much better about leaving him treats and generally trying to be appreciative since he’d hauled my ass out of a scary spiritual snowstorm, but I still probably wasn’t the world’s most grateful shaman.

His wings cut across the silence of the Dead Zone like the air was frozen, awhish-whishof sound that settled calmness around my heart. Heplonkedonto my shoulder and stuck his beak in my hair, pulling it, and I turned my face to grin into his feathery chest. “Hey, Raven. Thank you. I’m looking for a dead woman. A dancer. Naomi Allison. She…understood magic,” I said after a moment’s consideration. “Can you help me find her? You’re a lot cleverer at navigating the dead places than I am.”

Raven let go a caw that sounded ridiculously proud, and beat his wings in the air. Or against my head, more accurately, but I wasn’t going to complain, because as he did so, the Dead Zone changed.

I’d been flattering the bird outrageously, but I wasn’t lying. He walked a line between the living and the dead that I couldnever do without his help and guidance. Through his eyes, the Dead Zone became manageable: still terribly large, but traversable. Rivers appeared, some with boats full of the dead drifting down them, others broad and wide with ferrymen poling coin-eyed corpses across. Grim reapers, ranging in form from beautiful, gentle creatures to the scythe-bearing hooded thing of nightmares, led ghosts across the realm, bringing them from their mortal lives to something beyond. The Dead Zone was a transitory place, somewhere people lingered only briefly.

And I, as a living thing, had no business there. The dead and their masters could be drawn to the living, and when they were, they tended to want to consume it. Without Raven’s presence, I was alarmingly vulnerable. With it, I merely wanted to get out of there as fast as I could. I said, “Naomi Allison,” aloud, and waited to see if reverberations touched any single soul in particular.

I couldn’t see it, if they did. Raven, though, gave an excitedquarkand dug his claws into my shoulder, wings smacking my head to urge me forward. He didn’t weigh very much, but his wingspan was more than two feet across, and he hit hard. I made a feeble sound of protest, but broke into a run. There wasn’t much point in asking for his help and then sulking when he smacked me around so I’d notice it.

I didn’t think of the Dead Zone as having any features like hills or plains, but we crested a hill and I skidded to a stop looking down on a ghost dance somewhat more literal than the one at the theater. This one, for example, was being performed by actual ghosts.

And Naomi Allison was at its heart. She wasn’t dancing, only standing as she had been in the last moments of the theatrical performance, like she was waiting to take in all the power the others were building for her. Their dance was silent, with neither song nor drums, but somehow I could still hear both of thosethings in the small bones of my ears. Noiseless chanting grew in strength, reverberating in the Dead Zone and warning that my time was growing short.

I let out a yell and slid down the hill, disrupting ghosts that were barely more than mist on my skin, raising hairs against a chill. They dissipated into nothingness as I brushed by, but others—or maybe the same ones, hell if I could tell— appeared and continued the dance. There was a different sort of feel to the Dead Zone dance. It lacked the real world’s vibrancy and sense of life, reaching beyond it to attain acceptance that had an urgency all of its own.

I recognized the difference only a few steps from Naomi’s side, and knew then that I was already too late.

The soundless music stopped in a shout. Naomi’s smile was brief, breathless, incandescent: all the things it should have been in the last moment of her dance at the theater. Power rushed her, but not the healing magic her troupe had built. This was the last push to take her over to the other side.

And like that, she was gone.

I gasped, a hard sound that hurt my throat, and to my horror, the dancers turned to me. Made me the centerpiece of their dance, the recipient of their next push. The raven on my shoulder flapped his wings like a mad thing, as if he could fly us both out of there.