Page 5
Story: My Darling Husband
J A D E
3:18 p.m.
I see the black figure in the shadows, and my first thought is of the kids, an immediate, full-throttle alarm that comes on like a freight train. This is parenthood in a nutshell: utter terror for your children’s welfare, always. It’s something Cam and I never thought about back when we were trying to get pregnant—the overwhelming insecurity when the doctor settled our babies into our arms, the unrelenting worry whenever they’re not near. I spot movement and I reach for them at the same time—instant and instinctual. My brain identifies a person, a male-sized form that does not belong here, and I shove their little bodies behind mine.
A man, looming in my garage. Breathing the same air.
I don’t move. I can’t. No fight. No flight. I just stand here, transfixed, dumbstruck, stock-still.
I think of my phone, buried under the mail and trash in my bag. I think of the panic button on the alarm pad in the house, on the other end of a breezeway and tucked safely behind a locked door. I think of my keys, next to my phone. Even if I managed to get us out of this garage, where would we go? I’d never make it inside the house, and the backyard is fenced, the gates either electronic or secured with a complicated, child-safe latch. There’s nowhere to escape.
“Don’t move. Stay quiet and I won’t hurt you.”
The voice is so frighteningly close. Hoarse, rattling in air hot with my sticky fear, and I don’t believe a single word. Especially not when he steps closer, and I get a better look. The man is wearing a mask. He’s holding a gun, a stubby black thing in a fist. Head-to-toe black, every bit of him covered, even his hands. His fingertips.
Run. I scream the word in my head, urging myself on.Grab the children and run.
Now.
A chill races down my spine. The hairs soldier on my skin.
This man is here to hurt me. To hurtus.
And still I can’t move.
So this is it, then. This is how my body responds when faced with sudden fright, with this hot, sluggish horror—like when your fingers brush over a strange lump under your armpit and you realize your life has veered sideways. Some people run. Others scream. Me, I just stand here, paralyzed by the mounting terror.
The kids, too. They stare at him with big, frightened eyes. A little hand grabs my pants leg.
“Please,” I somehow manage to squeak, but I can’t finish.Please don’t touch the children. Please don’t shoot us. The words are too horrifying to say out loud.
He moves closer, his gait smooth, but there’s something sinister in the way he’s walking across the concrete floor. He’s like an animal on the hunt, joints loose, ready to pounce. All dangerous, coiled energy lurking just below the surface.
“Take my car.” I hold out my bag, a stupidly expensive designer thing from a couple years ago. “The keys are in here somewhere, and so’s my wallet. I—”
“I don’t want your purse. Don’t want your car, either.” His voice is deep and scratchy, the kind that sounds filled with cigarette smoke.
My stomach spirals, and I search his face for more, but the parts of him I can see—his lips, his eyes—are closed off. I search for something recognizable, something human I can appeal to, but there’s nothing. It’s like searching for meaning on a covered canvas.
Still, I take in every detail I can see and commit it to memory. Just under six foot, medium build, broad shouldered. Caucasian. I know this from his eyes, olive green and flecked with amber, the pink patch of skin around his mouth. His teeth are white and straight, the kind of straight that comes from braces.
“Do you want money? I don’t have cash, but take my card. My pin is 4-3-0-8.”
“Jade. Shh.”
My name on his tongue tightens a knot of panic in my gut, and I scurry—finally—backward, putting some distance between me and this man, pushing the kids behind me and toward the door.
Stay calm.
Don’t panic.
Whatever happens, donotlet the gunman in the house. That’s how people get killed. That’s how entire families end up in a pool of blood. As soon as you let the gunman into the house, you’re already dead.
I hold out my left hand, offering up my wedding band and an old, battered Rolex. “I have jewelry. Some money in the safe. Loads of electronics. Go inside and take whatever—”
“Quiet. This is how it’s going to go. The four of us are going to walk outside and move slowly and calmly to the back door, where we will stand like silent little statues while you dig your keys out of your bag and let us in. No running or trying to get away. No flailing and hollering for the neighbors. And once we’re inside, I’d think real long and hard before you tap some secret code that’s going to call in the cavalry.” His gaze flits to the kids, and one of them—Baxter, I think—squeaks. “It’d be a shame if the cops showed up, wouldn’t it, Mom?”
The secret code! A silent alarm that lets the control room know someone has forced his way into the house. The technician who installed it entered a code straight down the middle of the keypad, but Cam and I were supposed to change it becauseevery criminal on the planet knows the 2-5-8-0 trick. But did we change it? And if so, to what? My thoughts are too tangled up with terror to remember.
3:18 p.m.
I see the black figure in the shadows, and my first thought is of the kids, an immediate, full-throttle alarm that comes on like a freight train. This is parenthood in a nutshell: utter terror for your children’s welfare, always. It’s something Cam and I never thought about back when we were trying to get pregnant—the overwhelming insecurity when the doctor settled our babies into our arms, the unrelenting worry whenever they’re not near. I spot movement and I reach for them at the same time—instant and instinctual. My brain identifies a person, a male-sized form that does not belong here, and I shove their little bodies behind mine.
A man, looming in my garage. Breathing the same air.
I don’t move. I can’t. No fight. No flight. I just stand here, transfixed, dumbstruck, stock-still.
I think of my phone, buried under the mail and trash in my bag. I think of the panic button on the alarm pad in the house, on the other end of a breezeway and tucked safely behind a locked door. I think of my keys, next to my phone. Even if I managed to get us out of this garage, where would we go? I’d never make it inside the house, and the backyard is fenced, the gates either electronic or secured with a complicated, child-safe latch. There’s nowhere to escape.
“Don’t move. Stay quiet and I won’t hurt you.”
The voice is so frighteningly close. Hoarse, rattling in air hot with my sticky fear, and I don’t believe a single word. Especially not when he steps closer, and I get a better look. The man is wearing a mask. He’s holding a gun, a stubby black thing in a fist. Head-to-toe black, every bit of him covered, even his hands. His fingertips.
Run. I scream the word in my head, urging myself on.Grab the children and run.
Now.
A chill races down my spine. The hairs soldier on my skin.
This man is here to hurt me. To hurtus.
And still I can’t move.
So this is it, then. This is how my body responds when faced with sudden fright, with this hot, sluggish horror—like when your fingers brush over a strange lump under your armpit and you realize your life has veered sideways. Some people run. Others scream. Me, I just stand here, paralyzed by the mounting terror.
The kids, too. They stare at him with big, frightened eyes. A little hand grabs my pants leg.
“Please,” I somehow manage to squeak, but I can’t finish.Please don’t touch the children. Please don’t shoot us. The words are too horrifying to say out loud.
He moves closer, his gait smooth, but there’s something sinister in the way he’s walking across the concrete floor. He’s like an animal on the hunt, joints loose, ready to pounce. All dangerous, coiled energy lurking just below the surface.
“Take my car.” I hold out my bag, a stupidly expensive designer thing from a couple years ago. “The keys are in here somewhere, and so’s my wallet. I—”
“I don’t want your purse. Don’t want your car, either.” His voice is deep and scratchy, the kind that sounds filled with cigarette smoke.
My stomach spirals, and I search his face for more, but the parts of him I can see—his lips, his eyes—are closed off. I search for something recognizable, something human I can appeal to, but there’s nothing. It’s like searching for meaning on a covered canvas.
Still, I take in every detail I can see and commit it to memory. Just under six foot, medium build, broad shouldered. Caucasian. I know this from his eyes, olive green and flecked with amber, the pink patch of skin around his mouth. His teeth are white and straight, the kind of straight that comes from braces.
“Do you want money? I don’t have cash, but take my card. My pin is 4-3-0-8.”
“Jade. Shh.”
My name on his tongue tightens a knot of panic in my gut, and I scurry—finally—backward, putting some distance between me and this man, pushing the kids behind me and toward the door.
Stay calm.
Don’t panic.
Whatever happens, donotlet the gunman in the house. That’s how people get killed. That’s how entire families end up in a pool of blood. As soon as you let the gunman into the house, you’re already dead.
I hold out my left hand, offering up my wedding band and an old, battered Rolex. “I have jewelry. Some money in the safe. Loads of electronics. Go inside and take whatever—”
“Quiet. This is how it’s going to go. The four of us are going to walk outside and move slowly and calmly to the back door, where we will stand like silent little statues while you dig your keys out of your bag and let us in. No running or trying to get away. No flailing and hollering for the neighbors. And once we’re inside, I’d think real long and hard before you tap some secret code that’s going to call in the cavalry.” His gaze flits to the kids, and one of them—Baxter, I think—squeaks. “It’d be a shame if the cops showed up, wouldn’t it, Mom?”
The secret code! A silent alarm that lets the control room know someone has forced his way into the house. The technician who installed it entered a code straight down the middle of the keypad, but Cam and I were supposed to change it becauseevery criminal on the planet knows the 2-5-8-0 trick. But did we change it? And if so, to what? My thoughts are too tangled up with terror to remember.
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