Page 147
Story: His to Hunt
"Lot seventeen," the auctioneer announces, "a charming landscape by Hudson River School artist Thomas Cole. We'll start the bidding at five thousand dollars."
I straighten with carefully calibrated interest, letting my breath catch just slightly. "Oh, Marcus," I whisper, loud enough for nearby tables to hear. "I've loved his work since college. Do you think...?"
Marcus puffs up with masculine pride, exactly as I knew he would. "Of course, darling. Consider it an early Christmas present."
"Six thousand," he calls out, raising his paddle with the casual confidence of someone who's never had to worry about money.
I lean closer to him, my lips brushing his ear as I whisper my thanks. From the corner of my eye, I notice Graham Ellsworth still watching, his attention split between the auction proceedings and our little tableau. The intensity of his focus sends an unexpected thrill down my spine.
When the bidding reaches seven thousand, I raise my own paddle, playing up the excitement of a novice who's gotten caught up in the moment. "Sorry," I stage-whisper to Marcus. "I got carried away."
He laughs indulgently, and we continue the charade as the price climbs. Other bidders drop out as we push past ten thousand, then twelve, then fifteen. By the time the gavel falls, declaring me the winner at fifteen thousand dollars, I'm practically vibrating with manufactured enthusiasm.
"Sold to the lady in red for fifteen thousand dollars!"
I clap my hands together in delight—not entirely manufactured, since this represents a tidy profit on our initial investment—and throw my arms around Marcus in celebration. He looks slightly stunned by the final price, but recovers quickly, basking in the attention from nearby tables.
"Congratulations, darling," he says, though I can practically see him calculating the dent in his evening's entertainment budget.
"I can't believe we got it," I gush, maintaining the performance even though the hard part is over. "Thank you so much. This is the most incredible night."
As we settle back into our seats and the auction moves on to the next lot, I'm acutely aware that Graham Ellsworth's attention hasn't wavered. If anything, his interest seems to have intensified after watching our little performance.
Part of me knows I should be concerned. Men like Graham Ellsworth don't get where they are by being easy to fool. If he's suspicious of me, it could complicate everything I've worked toward.
But another part of me—the part that's been playing it safe for too long, taking smaller scores, staying in the shadows—is intrigued by the challenge he represents. Graham Ellsworth isn't just wealthy; he's dangerous. The kind of man who could either destroy me completely or elevate me to levels I've never imagined.
The auction continues around us, but I find my attention split between maintaining my cover with Marcus and stealing glances at the man who's managed to completely captivate my interest in the span of a single evening.
When the final lot is sold and the crowd begins to disperse, I'm not entirely surprised to see Graham Ellsworth making his way through the crowd in our direction. Every step is measured, purposeful, like a predator who's identified his target and is moving in for the kill.
Marcus notices him approaching and straightens defensively, clearly recognizing the threat even if he doesn't understand its nature.
But I'm not afraid. If anything, I'm exhilarated. Finally, a worthy opponent.
The game is about to get interesting.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147 (Reading here)