Page 87
Story: Fight Me Little Pearl
“That video is a lie.”
My fists clench. “So, my eyes are lying to me?”
Vance runs a frustrated hand down his face. “No, but-”
“If my eyes are not lying to me the video is not a lie,” I cut in sharply. “Now, step away from my path.”
He obeys, and I walk up the stairs. Putting one foot in front of the other. I will survive this. I am strong. I can do this. I close the door and switch the TV on and choose one of the MTV channels. It must be featuring music from the eighties because Eric Clapton is singingWonderful Tonight.
What a strange coincidence.
That is my mother’s favorite song. She said Eric had perfectly captured the feeling of unrequited love in that song. I never got it when she told me that. But today, I finally understand the terrible pain my mother must have felt when she found out she had married a man who would never be faithful to her.
The longing in Eric Clapton’s voice fills the air.
I turn the volume up as the first howl of pain erupts out of my mouth.
Chapter Thirty-Eight
VALENTINO
The first person I call as I walk off the jet in Venice is Francesca.
It’s been many tedious hours in the air. Hours that I should have been spending with Francesca. She doesn’t answer. I redial two more times, only to get the same result. It’s about four in the afternoon in New York, and I try to imagine what she’s doing that has her away from her phone. Maybe she’s asleep.
What can I do? I decide to call her a little later.
Giuseppe is waiting for me in a car parked a few feet away. I warned my family to be quiet about my visit because there’s always business for me when I come to Italy, but not this time. I’m here to see Matteo and then I’m gone.
“Buon Giorno, Fra Valentino.” Giuseppe smiles as I slip into the backseat with him. “It’s good to have you back in Italy. Hope you are staying a bit longer this time.”
“This is just a flying visit, Giuseppe.”
“That’s a shame.”
I dial Francesca again, but she doesn’t pick up, and I start to worry. What the hell is she doing that is so important? I’mhoping I can talk to her before I meet with the family because our meeting will probably last for hours. I’m sure they have grievances to air, none of which I will apologize for, but I must address.
When we get to Castillo Dimora, Dutch stays outside and since Giuseppe has to run a quick errand, he says he will meet me at Nona Isadora’s reception room in five minutes. I walk alone through the familiar stone maze of the house toward Nona Isadora’s quarters. I stop on the way and call Francesca again, but she doesn’t pick up. Now I’m pissed. Really, what is she doing that is more important than me?
My next call is to Vance. He picks up on the first ring.
“Yes, Boss?”
“Where is my wife?”
“She’s upstairs. In her er… your bedroom.”
“Is she ill?”
Vance hesitates, and hesitation is never a good thing. “No. She likes being in the bedroom when you’re not in the house.”
“She’s not picking up my calls. I’ve called about ten times.”
Vance hesitates again.
“Vance?”
“Yes, Boss?”
My fists clench. “So, my eyes are lying to me?”
Vance runs a frustrated hand down his face. “No, but-”
“If my eyes are not lying to me the video is not a lie,” I cut in sharply. “Now, step away from my path.”
He obeys, and I walk up the stairs. Putting one foot in front of the other. I will survive this. I am strong. I can do this. I close the door and switch the TV on and choose one of the MTV channels. It must be featuring music from the eighties because Eric Clapton is singingWonderful Tonight.
What a strange coincidence.
That is my mother’s favorite song. She said Eric had perfectly captured the feeling of unrequited love in that song. I never got it when she told me that. But today, I finally understand the terrible pain my mother must have felt when she found out she had married a man who would never be faithful to her.
The longing in Eric Clapton’s voice fills the air.
I turn the volume up as the first howl of pain erupts out of my mouth.
Chapter Thirty-Eight
VALENTINO
The first person I call as I walk off the jet in Venice is Francesca.
It’s been many tedious hours in the air. Hours that I should have been spending with Francesca. She doesn’t answer. I redial two more times, only to get the same result. It’s about four in the afternoon in New York, and I try to imagine what she’s doing that has her away from her phone. Maybe she’s asleep.
What can I do? I decide to call her a little later.
Giuseppe is waiting for me in a car parked a few feet away. I warned my family to be quiet about my visit because there’s always business for me when I come to Italy, but not this time. I’m here to see Matteo and then I’m gone.
“Buon Giorno, Fra Valentino.” Giuseppe smiles as I slip into the backseat with him. “It’s good to have you back in Italy. Hope you are staying a bit longer this time.”
“This is just a flying visit, Giuseppe.”
“That’s a shame.”
I dial Francesca again, but she doesn’t pick up, and I start to worry. What the hell is she doing that is so important? I’mhoping I can talk to her before I meet with the family because our meeting will probably last for hours. I’m sure they have grievances to air, none of which I will apologize for, but I must address.
When we get to Castillo Dimora, Dutch stays outside and since Giuseppe has to run a quick errand, he says he will meet me at Nona Isadora’s reception room in five minutes. I walk alone through the familiar stone maze of the house toward Nona Isadora’s quarters. I stop on the way and call Francesca again, but she doesn’t pick up. Now I’m pissed. Really, what is she doing that is more important than me?
My next call is to Vance. He picks up on the first ring.
“Yes, Boss?”
“Where is my wife?”
“She’s upstairs. In her er… your bedroom.”
“Is she ill?”
Vance hesitates, and hesitation is never a good thing. “No. She likes being in the bedroom when you’re not in the house.”
“She’s not picking up my calls. I’ve called about ten times.”
Vance hesitates again.
“Vance?”
“Yes, Boss?”
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125