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Story: Dear Wife

I head into the kitchen, which is a disaster. A pile of dirty dishes crawling up the sink and onto the countertop. A week’s worth of newspapers spread across the table like a card trick. Dead, drooping roses marinating in a vase of murky green water. Sabineknowshow much I hate coming home to a dirty kitchen. I pick up this morning’s cereal bowl, where the dregs of her breakfast have fused to the porcelain like nuclear waste, putrefied and solid. I fill it with water at the sink and fume.
The trash bins, the kitchen, not leaving me a note telling me where she is—it’s all punishment for something. Sabine’s passive-aggressive way of telling me she’s still pissed. I don’t even remember what we were arguing about. Something trivial, probably, like all the arguments seem to be these days. Crumbs on the couch, hairs in the drain, who forgot to pick up the dry cleaning or drank the last of the orange juice. Stupid stuff. Shit that shouldn’t matter, but in that hot, quicksilver moment, somehow always does.
I slide my cell phone from my pocket and scroll through our messages, dispatches of a mundane married life.
Did you remember to pay the light bill?
The microwave is on the fritz again.
I’m placing an order for office supplies, need anything?
I land on the last one to me and bingo, it’s the message I’m looking for.
Showing tonight. Be home by 9.
I spend the next half hour righting Sabine’s mess. What doesn’t go into the dishwasher I pitch in the trash, then toss the bags into the garbage bins I line up. And then I haul my suitcase upstairs.
The bed is unmade, Sabine’s side of the closet a pigsty. I try to ignore the chaos she left everywhere: kicked-off shoes and shirts with inside-out sleeves, shoved on lopsided hangers. Nothing like the neat, exacting lines on my side. How difficult is it to put things back where they belong? To line the clothes up by color?
Ten minutes later I’m in shorts and a T-shirt, sneakers pounding up the path in an angry sprint west along the river. The truth is, I am perfectly aware I’m not the easiest person to live with. Sabine has told me more times than I’d care to admit. I can’t help that I like things the way I like them—the cars washed, the house clean, dinner hot and waiting when I get home from work. Sabine is a great cook when she wants to be, when her job isn’t sucking up most of her day, which lately seems like all the time. I can’t remember the last night I came home to one of her home-cooked meals, the ones that take all day to prepare. Once upon a time, she would serve them to me in an apron and nothing else.
I’ve spent a lot of hours thinking about how to bring us back to the way we used to be. Easy. Sexy. Surprising. Before my job dead-ended at a human resources company that sells buggy, overpriced software nobody wants to buy. Before Sabine got her broker’s license, which I used to laugh off as a hobby. Now, on a good month, her salary is more than double mine. I’d tell her to quit, but honestly, we’ve gotten used to the money. It’s like moving into a house with extra closet space—you always use it up.
In our case, the money made us cocky, and we sank far too much of it into our house, a split-level eyesore with too-tiny windows and crumbling siding. The inside was even worse. Cheap paneling and shaggy carpet on the floors, climbing the walls, creeping up the staircase.
“You havegotto be shitting me,” I said as she led me through the cramped, musty rooms. It looked like a seventies porn set. It looked like the destitute version of Hugh Hefner would be coming around the corner in his tattered bathrobe any second. No way were we going to live here.
But then she took me to the back porch and I got a load of the view, a sweeping panorama of the Arkansas River. She’d already done the math: a thirty-year mortgage based on the estimated value after a head-to-toe renovation, an amount that made my eyes bulge. We bought it on the spot.
So now we’re proud owners of a beautiful Craftsman-style bungalow on the river, even though as children of Pine Bluff, a working-class town wedged between farms and factories, we should have known better. The house is on the wrong side of town, a castle compared to the split-level shacks on either side of the street, and no renovation, no matter how extensive, could change the fact that there aren’t many people in town who can afford to buy the thing. Not that we’ll ever be able to sell. Our house doesn’t just overlook the river, it isonthe river, the ropy currents so close they swell up the back steps every time there’s a sudden rain.
But the point is, Sabine’s job, which began as a fun little way to provide some extra income, is now a necessity.
My cell phone buzzes against my hip, and I slow to a stop on the trail. I check the screen, and my gut burns with irritation when I see it’s not Sabine but her sister. I pick up, my breath coming in sharp, sweat-humid puffs.
“Hello, Ingrid.”
My greeting is cool and formal, because my relationship with Ingrid is cool and formal. All those things I admire about my wife—her golden chestnut hair, her thin thighs and tiny waist, the way her skin smells of vanilla and sugar—are glaring deficiencies in her twin. Ingrid is shorter, sturdier, less polished. The wallflower to Sabine’s prom queen. The heifer to her blue-ribbon cow. Ingrid has never resented Sabine for being the prettier sister, but she sure as hell blames the rest of us for noticing.
“I’m trying to reach Sabine,” Ingrid says, her Midwestern twang testy with hurry. “Have you talked to her today?”
A speedboat roars by on the river, and I wait for it to pass.
“I’m fine, Ingrid, thank you. And yes, though it was a quick conversation because I’ve been in Florida all week for a conference. I just got home, and she’s got a showing. Have you tried her cell?”
Ingrid makes a sound low in her throat, the kind of sound that comes right before an eye roll. “Of course I’ve tried her cell, at least a million times. When’s the last time you talked to her?”
“About an hour ago.” The lie is instant and automatic. Ingrid might already know I hung up on her sister this morning and she might not, but one thing is certain: she’s not going to hear it from me. “Sabine said she’d be home by nine, so you might want to try her then. Either way, I’ll make sure to tell her you called.”
And with that I hit End, dial up the music on my headphones to deafening and take off running into the setting sun.
BETH
The District at River Bend is an uninspired apartment community on the banks of Tulsa’s Arkansas River, the kind that’s generically appealing and instantly familiar. Tan stone, beige siding, indistinguishable buildings of three and four stories clustered around an amoeba-shaped pool. There are a million complexes like it, in a million cities and towns across America, which is exactly why I chose this one.
I pull into an empty spot by the main building, grab my bag—along with the clothes on my back, my only earthly possessions—and head to the door.
People barely out of college are scattered around the massive indoor space, clutching paper coffee cups or ticking away on their MacBooks. Everybody ignores me, which is an unexpected but welcome development. I make a mental note that a complex like this one would be a good place to hide. In the land of self-absorbed millennials, anybody over thirty might as well be invisible.