Page 76 of Crossed Wires: The Complete Series
She broke the kiss, her whole body aching at the loss, and stared at his face.
She had to tell him. She had to tell him how she felt. Now. For fuck’s sake, it was obvious there was something between them.
A gust of wind blasted at her back, pushing her into his body and blowing his hat clean off his head.
“Bloody hell,” Dylan muttered.
He spun out of their embrace, running after it as it tumbled along the road. Monet couldn’t help but laugh. He looked so cute, so determined, his concentration fixed on his tumbling hat…
Right up until he rammed shoulder-first into one of New York’s finest.
Monet’s mouth fell open.
Her breath caught in her throat. And then burst from her in a ragged laugh as, without so much as a second’s delay, Dylan stopped the police officer from staggering backward with one hand and snatched his hat from the ground with the other, returning it to his head in a graceful arc of his arm.
Pulling herself together, Monet crossed to where they stood facing each other, arriving just in time to hear Dylan say, “not that far from Cobar. Takes about an hour to get there.”
She slowed to a halt beside Dylan, sliding her fingers through his. For moral support, of course. To show the cop he was friendly to the natives, even if he did speak with an Australian accent.
Yeah, that’s why. You’re all about global politics, aren’t you, Monnie?
“Knew a girl from Cobar,” the cop said, a small smile dancing under a rather impressive moustache. “I haven’t seen her in years. We kept promising to keep in contact but…” He stopped, giving Monet a quick look before throwing a nod Dylan’s way. “This here Aussie cowboy yours?”
“Stockman.” Monet grinned. “And yes’m.”
“Have you taken him to the Statue of Liberty yet?”
“Yesterday.”
“Ellis Island?”
“Right after Lady Liberty, sir.”
“Eaten at Carmine’s yet?”
“Day before that.”
“Guggenheim?”
“Okay, I’ll answer this one,” Dylan cut in, his grin as wide as the cop’s. “Monday. My second day here.” He disengaged his hand from Monet’s and smoothed it around her hip, tugging her close to his body. “Did you know this very talented woman has artwork on display there?”
The officer let out a long whistle, giving Monet another nod. “That’s mighty impressive. What’s it called?”
Monet felt her cheeks fill with warmth. She’d never been one to blush until Dylan came along, now she seemed to be doing it all the time. Even at a simple compliment like “talented woman”.
Of course you’re blushing. You’re in love, stupid. When the man you love says something wonderful about you, you blush with happiness.
“Introspective Emptiness.” Dylan supplied the title of her sculpture on permanent exhibition at the Guggenheim Museum. “Go check it out.”
The cop’s moustache danced some more with his smile. “Think I will.” He touched the brim of his cap. “If you ever meet a Jilly Anne in Cobar, give her my regards. Robert Williamson.” A wistful expression flickered over his face. “She’ll remember me.”
Dylan smiled. “I’m headed to Cobar once I’m back home. I’ll look her up and tell her you said g’day.”
“The last I heard she’d bought a salon there.” The officer touched his cap again. “Thanks. Hope you enjoy the rest of your time in New York.”
Dylan reached up and touched the brim of his own hat. “Cheers. If you’re ever in Australia, look up Farpoint Creek Cattle Station and give me a call.”
The cop guffawed. “Will you throw a shrimp on the bar-bee?”
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76 (reading here)
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209